Thanks! Just got a ticket for myself! With this cast, it's going to be sold out as soon as the words get out. So happy for Rob Schneider! J2 is really taking off.
Huss417 said: "Great cast but I don't think I could sit through this again. I am looking forward to seeing Fontana in Transport Group concert on Nine in June.
That'll be great, I'm sure. And "Goodbye Girl" has always fascinated me for a lot of reasons, so to see a very rarely performed show like this done live in a small space with an Encores-level cast is exciting to someone like me who's fascinated by flops.
I’m rooting for this to be great, just for the sake of David Zippel who’s directing. After his lousy run of HERCULES followed by the BAD CINDERELLA debacle, he really, really deserves something great out of 2023.
The opening number was cut after the first week of the Chicago tryout. It was a scene in a burger restaurant with the housekeeper and the 3 young girls.
I’ve never seen it, I don’t even know if it’s at the archive is it? But of course I’ve listened to the cast recording. I’d say there are parts of the score that are very high quality and the lyrics in particularly are so witty and clever (which is why I was quite excited that the writer was also doing Cinderella - finally a chance for ALW to have a good lyricist. For whatever reason, I don’t know if it’s also ALW’s music that makes it challenging - it didn’t really work out as well as I’d hoped).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Jordan Catalano said: "Huss417 said: "Great cast but I don't think I could sit through this again. I am looking forward to seeing Fontana in Transport Group concert on Nine in June.
That'll be great, I'm sure. And "Goodbye Girl" has always fascinated me for a lot of reasons, so to see a very rarely performed show like this done live in a small space with an Encores-level cast is exciting to someone like me who's fascinated by flops.
"
I don't have to tell you that there are memorable flops and some that are just flops. This for me fell into the latter. The Goodbye Girl at the time was probably the show I was most looking forward to that season but it was just flat. Next to no laughs, music far from memorable, a waste of the talent of Peters and Short.
I do hope that have made some changes and as always look forward to what you will have to say after seeing it. :)
"I hope your Fanny is bigger than my Peter."
Mary Martin to Ezio Pinza opening night of Fanny.
But this is what I love about productions like this. It’s a show that obviously flopped hard and people truly dislike but for me, having never seen it, to finally get a chance to with a great cast like this - it’s exciting and something I’m really looking forward to finally being able to have an opinion on for myself.
Wow, those tickets really moved quick, though I can't say I'm surprised. I was so used to seeing J2 productions on TDF that I figured I'd wait on buying tickets but then of course they announced the cast. I wonder if there will be a chance at a last minute cancellation.
I saw this in 1993 and adored it. Loved the cast and the songs. It was so funny and sweet. Pretty sure I cried happy tears. I have listened to the cast recording often and think it is clever and hilarious.
I probably read the actual Broadway reviews a few years ago because I was wondering why it had never been revived. I don't think I read reviews back then since I wasn't subscribing to the NYT home delivery in California. I was surprised to read what the critics thought.
A friend texted me yesterday when I was flying to JFK to tell me about the Theatre Row production and cast, so I had her buy me a seat right away in case it sold out. It will be really fun to see it again and see what I think of it after 30 years. Looking forward to it!
The original Broadway production had two bona fide stars, both, arguably, ideally cast*, and it simply refused to ignite. I'll never forget the waves of disappointment in the house, the mid-act recognition of a new musical that has been crafted by experts, achieved balance between near farce and some semblance of reality, and yet could not engage as intended. It happens. The songs were professionally wrought, yet just not nearly as enjoyable as they needed to be for the whole enterprise to catch faire. Maybe in a chamber-sized production the combo of reduced expectations and greater intimacy will allow a new prism.
*though possessing no authentic romantic spark, through no fault of the actors
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Sounds like a perfect platform for really talented folks to take a crack at what was a failure in version 1.0.
It's honestly a better formula for a fund/profile raiser than most non-profits are doing. With ENCORES barely holding on to their original mission statement, these pieces should get re-investigations wherever possible.
Knowing the material but having not seen the original, I believe the greatest head-scratch element was that artists of this pedigree could create a show that didn't work on this level: Neil Simon, Marvin Hamlisch, David Zippel, Manny Azenberg, Gene Saks (fired and replaced by Michael Kidd), Graciela Daniele, Peters, Short, etc.
There's some decent material in the score. For a company like this, this is a great show for them to revive as opposed to the umpteenth production of, say, Little Me or Last 5 Years.