Two families converge on Delhi for an arranged marriage and what promises to be a glorious union. As festivities unfurl in song and dance, expectation and reality collide. The bride and groom are not who they appear to be, and dark family secrets begin to surface. Chaos ensues, and as the nuptials draw closer, so do the wedding planner and the house maid. Together they find love over a simple marigold flower. As the city pulses with the promise of relief from the heat, the ancient and unbroken ties of family are further tested, asking the question: how do we redefine love in a rapidly evolving world?
The families mingle and bustle, but-without camera close-ups and cuts-it all feels stiff and belabored on stage. There is no sense of high-stakes, or even low-stakes for Aditi, Hemant, or their families; no narrative grist around them making this decision for a set of truly convincing reasons, or asking what they really want. Theirs is a woefully under-conceived central relationship to base a musical around. When they sing the duet “Could You Have Loved Me” it rings not just implausible but pointless; they never seemed that into each other. There is no yearning or mystery or intrigue. They seem pretty dullsville as a couple.
It’s lovely to look at, courtesy of David Bengali’s virtuosic video wall and Arjun Bhasin’s gorgeous costumes. Vishal Bhardwaj’s melodies are consistently sprightly, and the show boasts some appealing performances, especially in Salena Qureshi’s Aditi and Deven Kolluri as her banker husband-to-be, Hemant, from Hoboken, N.J. Still, there’s something pat about the whole enterprise, redolent of the canned characters and contrived plot twists of a vintage family TV comedy, that stops 'Monsoon Wedding' short of specialness.
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