POPULAR
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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$24,287,720 | $1,156,558 | $143 $347 |
169,123 | 173,394 | 169 | 97.52% |
|
1776 (AMERICAN AIRLINES) |
$687,649 | $343,824 | $68 $248 |
10,089 | 10,845 | 15 | 93.25% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$21,066,598 | $1,003,171 | $139 $348 |
151,734 | 194,688 | 169 | 77.91% |
|
A CHRISTMAS CAROL (NEDERLANDER) |
$522,424 | $522,424 | $90 $229 |
5,815 | 10,665 | 9 | 54.50% |
|
A DOLL'S HOUSE (HUDSON) |
$11,512,597 | $822,328 | $116 $299 |
99,506 | 105,006 | 111 | 94.78% |
|
A STRANGE LOOP (LYCEUM) |
$2,181,117 | $727,039 | $117 $308 |
18,584 | 19,152 | 21 | 96.93% |
|
ALADDIN (NEW AMSTERDAM) |
$29,955,233 | $1,426,440 | $105 $300 |
283,645 | 293,590 | 170 | 96.57% |
|
ALMOST FAMOUS (JACOBS) |
$1,941,154 | $970,577 | $126 $297 |
15,382 | 16,368 | 16 | 94.00% |
|
BAD CINDERELLA (IMPERIAL) |
$7,371,932 | $526,567 | $69 $297 |
109,986 | 142,596 | 102 | 78.82% |
|
BEETLEJUICE (MARQUIS) |
$4,609,031 | $2,304,516 | $168 $249 |
27,481 | 27,234 | 17 | 100.90% |
|
BETWEEN RIVERSIDE AND CRAZY (HAYES) |
$2,612,432 | $326,554 | $79 $197 |
32,749 | 34,740 | 60 | 94.02% |
|
BOB FOSSE'S DANCIN' (MUSIC BOX) |
$5,744,416 | $522,220 | $96 $297 |
60,167 | 81,098 | 82 | 74.99% |
|
CAMELOT (VIVIAN BEAUMONT) |
$9,092,342 | $826,577 | $114 $249 |
80,006 | 86,901 | 83 | 92.17% |
|
CHICAGO (AMBASSADOR) |
$16,728,057 | $796,574 | $99 $247 |
167,470 | 181,440 | 168 | 92.24% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
DEATH OF A SALESMAN (HUDSON) |
$2,255,526 | $751,842 | $104 $299 |
21,644 | 23,400 | 24 | 92.50% |
|
FAT HAM (AMERICAN AIRLINES) |
$3,025,914 | $336,213 | $71 $247 |
42,422 | 47,872 | 68 | 88.99% |
|
FUNNY GIRL (AUGUST WILSON) |
$36,114,704 | $1,719,748 | $194 $629 |
185,442 | 206,011 | 169 | 90.00% |
|
GOOD NIGHT, OSCAR (BELASCO) |
$4,216,249 | $602,321 | $133 $297 |
32,852 | 44,968 | 44 | 73.81% |
|
GREY HOUSE (LYCEUM) |
$1,189,762 | $297,440 | $79 $237 |
16,714 | 20,608 | 23 | 85.35% |
|
HADESTOWN (WALTER KERR) |
$17,029,544 | $810,931 | $111 $299 |
152,191 | 155,142 | 169 | 98.08% |
|
HAMILTON (RICHARD RODGERS) |
$41,075,815 | $1,955,991 | $184 $449 |
223,609 | 222,432 | 168 | 100.53% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$29,919,883 | $1,424,756 | $120 $449 |
248,244 | 272,496 | 168 | 91.11% |
|
INTO THE WOODS (ST. JAMES) |
$3,389,501 | $1,694,751 | $133 $399 |
25,454 | 28,343 | 17 | 89.60% |
|
JONAS BROTHERS ON BROADWAY (MARQUIS) |
$1,556,128 | $1,556,128 | $192 $299 |
8,090 | 8,090 | 5 | 100.00% |
|
KIMBERLY AKIMBO (BOOTH) |
$10,850,104 | $516,672 | $90 $277 |
119,981 | 129,864 | 168 | 92.38% |
|
LEOPOLDSTADT (LONGACRE) |
$13,088,844 | $623,278 | $106 $347 |
122,320 | 181,675 | 169 | 67.25% |
|
LIFE OF PI (SCHOENFELD) |
$5,645,979 | $513,271 | $79 $277 |
71,170 | 81,594 | 83 | 87.73% |
|
MIKE BIRBIGLIA: THE OLD MAN & THE POOL (VIVIAN BEAUMONT) |
$2,035,946 | $678,648 | $85 $397 |
23,872 | 25,896 | 24 | 92.17% |
|
MJ THE MUSICAL (NEIL SIMON) |
$35,606,962 | $1,695,570 | $155 $250 |
229,627 | 233,016 | 168 | 98.55% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$30,377,569 | $1,446,551 | $140 $699 |
217,148 | 219,700 | 169 | 98.84% |
|
NEW YORK, NEW YORK (ST. JAMES) |
$8,330,745 | $925,638 | $91 $299 |
94,531 | 105,536 | 64 | 90.52% |
|
OHIO STATE MURDERS (JAMES EARL JONES) |
$1,315,110 | $438,370 | $72 $223 |
17,862 | 26,750 | 25 | 67.50% |
|
ONCE UPON A ONE MORE TIME (MARQUIS) |
$750,646 | $375,323 | $98 $297 |
9,591 | 12,832 | 8 | 78.50% |
|
PARADE (JACOBS) |
$13,244,600 | $1,018,815 | $137 $357 |
96,469 | 99,960 | 98 | 96.62% |
|
PETER PAN GOES WRONG (ETHEL BARRYMORE) |
$6,217,741 | $621,774 | $94 $257 |
64,819 | 80,703 | 77 | 80.34% |
|
PICTURES FROM HOME (STUDIO 54) |
$5,499,044 | $343,690 | $74 $297 |
74,672 | 93,612 | 116 | 79.81% |
|
PRIMA FACIE (GOLDEN) |
$5,600,205 | $933,368 | $152 $294 |
36,795 | 37,694 | 47 | 97.63% |
|
SHUCKED (NEDERLANDER) |
$6,147,323 | $558,848 | $66 $179 |
92,512 | 98,364 | 84 | 94.30% |
|
SIX (LENA HORNE) |
$22,980,100 | $1,094,290 | $137 $249 |
167,276 | 174,239 | 169 | 95.99% |
|
SOME LIKE IT HOT (SHUBERT) |
$18,380,771 | $875,275 | $98 $257 |
187,195 | 244,712 | 169 | 76.45% |
|
SUMMER, 1976 (FRIEDMAN) |
$2,792,293 | $398,899 | $93 $319 |
30,024 | 33,124 | 52 | 90.51% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$21,122,843 | $1,624,834 | $170 $399 |
124,801 | 125,832 | 84 | 99.25% |
|
TAKE ME OUT (SCHOENFELD) |
$3,388,134 | $564,689 | $86 $317 |
39,255 | 51,989 | 49 | 75.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$21,653,601 | $1,031,124 | $123 $350 |
175,359 | 180,154 | 169 | 97.32% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE COLLABORATION (FRIEDMAN) |
$2,130,503 | $304,358 | $76 $279 |
27,785 | 34,398 | 54 | 80.70% |
|
THE LION KING (MINSKOFF) |
$44,940,379 | $2,140,018 | $160 $199 |
277,898 | 288,320 | 170 | 96.37% |
|
THE MUSIC MAN (WINTER GARDEN) |
$10,706,844 | $3,568,948 | $278 $878 |
38,522 | 38,125 | 25 | 101.03% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$44,063,716 | $2,753,982 | $211 $1498 |
209,357 | 207,045 | 129 | 101.12% |
|
THE PIANO LESSON (ETHEL BARRYMORE) |
$5,403,618 | $1,080,724 | $135 $348 |
39,986 | 42,763 | 41 | 93.48% |
|
THE SIGN IN SIDNEY BRUSTEIN'S WINDOW (JAMES EARL JONES) |
$1,923,473 | $480,868 | $73 $337 |
26,471 | 34,208 | 32 | 77.40% |
|
THE THANKSGIVING PLAY (HAYES) |
$1,683,931 | $187,103 | $58 $223 |
29,229 | 38,927 | 67 | 76.12% |
|
TOPDOG / UNDERDOG (GOLDEN) |
$1,319,544 | $439,848 | $90 $297 |
14,589 | 19,248 | 24 | 75.80% |
|
WICKED (GERSHWIN) |
$38,589,738 | $1,837,607 | $125 $275 |
305,090 | 315,540 | 170 | 96.57% |
| TOTAL | $663,876,035 | $990,526 | $128.84 $343.21 |
5,152,605 | 5,662,899 | 4751 | 90.99% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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