|
Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW |
Total Gross
|
Avg. Gross |
Avg Tix
Top Tix |
Seats
Sold
|
Total
Seats |
Perf. |
Avg % |
|
TO BE OR NOT TO BE |
$1,166,048
|
$129,561 |
$53.21
$95.00 |
21,960
|
46,800 |
72 |
46.93% |
|
THE AMERICAN PLAN |
$2,001,797
|
$166,816 |
$51.41
$105.00 |
38,583
|
59,800 |
92 |
64.27% |
|
ACCENT ON YOUTH |
$2,028,775
|
$169,065 |
$49.29
$95.00 |
41,751
|
61,750 |
95 |
67.59% |
|
THE ROYAL FAMILY |
$2,627,586
|
$202,122 |
$49.32
$111.50 |
53,252
|
66,950 |
103 |
79.67% |
|
TIME STANDS STILL |
$3,374,918
|
$281,243 |
$59.40
$117.00 |
56,821
|
61,750 |
95 |
92.03% |
|
COLLECTED STORIES |
$1,348,639
|
$134,864 |
$42.38
$97.00 |
32,239
|
49,400 |
76 |
64.79% |
|
THE PITMEN PAINTERS |
$2,330,017
|
$194,168 |
$51.95
$121.00 |
44,965
|
62,400 |
96 |
72.07% |
|
GOOD PEOPLE |
$5,925,428
|
$370,339 |
$72.85
$130.00 |
81,075
|
83,200 |
128 |
97.46% |
|
MASTER CLASS |
$3,244,777
|
$270,398 |
$60.96
$126.50 |
52,956
|
59,829 |
93 |
88.64% |
|
VENUS IN FUR |
$3,214,825
|
$321,482 |
$68.18
$131.00 |
46,409
|
50,050 |
77 |
92.42% |
|
WIT |
$2,302,405
|
$209,310 |
$51.52
$116.00 |
44,863
|
54,600 |
84 |
82.05% |
|
THE COLUMNIST |
$3,505,086
|
$250,363 |
$58.51
$121.00 |
59,702
|
70,850 |
109 |
84.26% |
|
AN ENEMY OF THE PEOPLE |
$1,967,382
|
$178,853 |
$47.28
$120.00 |
41,886
|
54,740 |
85 |
76.25% |
|
THE OTHER PLACE |
$2,876,466
|
$239,706 |
$57.25
$131.00 |
49,929
|
61,180 |
95 |
81.50% |
|
THE ASSEMBLED PARTIES |
$5,402,056
|
$284,319 |
$64.55
$147.00 |
82,288
|
95,550 |
147 |
85.77% |
|
THE SNOW GEESE |
$2,376,183
|
$216,017 |
$53.50
$125.00 |
44,083
|
55,250 |
85 |
79.86% |
|
OUTSIDE MULLINGAR |
$3,351,777
|
$304,707 |
$65.85
$140.00 |
50,227
|
53,950 |
83 |
92.44% |
|
CASA VALENTINA |
$3,028,464
|
$232,959 |
$56.08
$125.00 |
54,116
|
66,374 |
103 |
81.49% |
|
THE COUNTRY HOUSE |
$2,383,928
|
$216,721 |
$54.38
$0.00 |
44,110
|
56,550 |
87 |
78.05% |
|
CONSTELLATIONS |
$6,642,180
|
$510,937 |
$98.87
$0.00 |
66,543
|
68,250 |
105 |
97.25% |
|
AIRLINE HIGHWAY |
$1,521,105
|
$152,110 |
$41.83
$0.00 |
36,708
|
48,906 |
78 |
74.92% |
|
FOOL FOR LOVE |
$3,721,858
|
$286,297 |
$70.57
$150.00 |
52,876
|
63,900 |
100 |
82.62% |
|
OUR MOTHER'S BRIEF AFFAIR |
$1,727,741
|
$172,774 |
$48.69
$140.00 |
35,508
|
48,750 |
75 |
72.81% |
|
THE FATHER |
$3,419,470
|
$263,036 |
$67.72
$160.00 |
50,634
|
66,950 |
103 |
75.55% |
|
HEISENBERG |
$4,516,447
|
$376,371 |
$78.43
$165.00 |
57,555
|
64,526 |
93 |
89.23% |
|
JITNEY |
$3,598,741
|
$327,158 |
$68.20
$179.00 |
52,176
|
53,950 |
83 |
96.62% |
|
THE LITTLE FOXES |
$6,213,082
|
$443,792 |
$90.54
$179.00 |
68,189
|
70,850 |
109 |
96.16% |
|
PRINCE OF BROADWAY |
$4,171,311
|
$320,870 |
$76.53
$299.00 |
54,277
|
61,083 |
99 |
89.15% |
|
THE CHILDREN |
$2,390,093
|
$239,009 |
$57.38
$199.00 |
41,588
|
50,700 |
78 |
82.03% |
|
SAINT JOAN |
$2,132,561
|
$213,256 |
$51.46
$199.00 |
41,637
|
51,113 |
79 |
81.40% |
|
THE NAP |
$1,819,944
|
$181,994 |
$47.69
$199.00 |
38,426
|
50,154 |
78 |
76.62% |
|
CHOIR BOY |
$3,854,430
|
$296,495 |
$66.29
$249.00 |
57,759
|
65,611 |
103 |
87.92% |
|
INK |
$5,289,107
|
$377,793 |
$88.13
$299.00 |
60,205
|
70,707 |
111 |
85.12% |
|
THE HEIGHT OF THE STORM |
$3,161,762
|
$287,433 |
$74.95
$279.00 |
42,281
|
55,941 |
87 |
75.66% |
|
MY NAME IS LUCY BARTON |
$4,289,821
|
$476,647 |
$117.31
$299.00 |
36,179
|
36,822 |
57 |
98.03% |
|
LACKAWANNA BLUES |
$1,033,336
|
$114,815 |
$50.87
$249.00 |
20,060
|
27,900 |
45 |
71.79% |
|
SKELETON CREW |
$1,122,880
|
$160,411 |
$37.76
$249.00 |
28,022
|
29,900 |
52 |
92.59% |
|
HOW I LEARNED TO DRIVE |
$3,170,132
|
$288,194 |
$72.11
$299.00 |
43,670
|
51,597 |
81 |
84.59% |
|
COST OF LIVING |
$1,555,476
|
$194,434 |
$54.47
$279.00 |
28,891
|
38,125 |
61 |
75.99% |
|
THE COLLABORATION |
$2,854,579
|
$285,458 |
$71.69
$279.00 |
39,902
|
48,412 |
76 |
82.40% |
|
SUMMER, 1976 |
$2,792,293
|
$398,899 |
$92.51
$319.00 |
30,024
|
33,124 |
52 |
90.51% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
|
Shucking Around with Ashley D. Kelley: SHUCKED Hits the Recording Studio
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