|
Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW |
Total Gross
|
Avg. Gross |
Avg Tix
Top Tix |
Seats
Sold
|
Total
Seats |
Perf. |
Avg % |
|
THE MAN WHO CAME TO DINNER |
$3,854,225
|
$256,948 |
$48.51
$65.00 |
79,268
|
86,565 |
117 |
91.50% |
|
BETRAYAL |
$3,934,071
|
$245,879 |
$50.64
$65.00 |
77,520
|
86,580 |
117 |
89.38% |
|
DESIGN FOR LIVING |
$2,984,209
|
$229,555 |
$49.14
$65.00 |
60,606
|
73,260 |
99 |
83.10% |
|
MAJOR BARBARA |
$3,217,456
|
$229,818 |
$49.11
$65.00 |
65,138
|
78,440 |
106 |
81.84% |
|
THE WOMEN |
$4,183,178
|
$298,798 |
$53.65
$70.00 |
77,827
|
80,660 |
109 |
96.19% |
|
AN ALMOST HOLY PICTURE |
$2,534,937
|
$230,449 |
$45.14
$65.00 |
56,198
|
65,120 |
88 |
86.31% |
|
THE MAN WHO HAD ALL THE LUCK |
$2,610,518
|
$237,320 |
$45.13
$65.00 |
57,457
|
62,900 |
85 |
91.10% |
|
THE BOYS FROM SYRACUSE |
$3,286,075
|
$252,775 |
$48.33
$90.00 |
68,115
|
74,256 |
102 |
91.76% |
|
TARTUFFE |
$2,638,852
|
$219,904 |
$42.79
$66.25 |
61,354
|
68,820 |
93 |
88.87% |
|
A DAY IN THE DEATH OF JOE EGG |
$2,874,477
|
$239,540 |
$45.17
$65.00 |
63,350
|
68,820 |
93 |
91.79% |
|
AS LONG AS WE BOTH SHALL LAUGH |
$330,477
|
$23,606 |
$24.35
$65.00 |
14,257
|
17,760 |
24 |
79.69% |
|
BIG RIVER |
$2,802,669
|
$233,556 |
$46.65
$91.25 |
60,161
|
69,160 |
95 |
86.97% |
|
THE CARETAKER |
$2,156,333
|
$196,030 |
$44.85
$66.25 |
48,149
|
60,680 |
82 |
79.38% |
|
TWENTIETH CENTURY |
$3,869,161
|
$276,369 |
$53.53
$86.25 |
72,398
|
82,140 |
111 |
88.16% |
|
AFTER THE FALL |
$2,998,486
|
$249,874 |
$52.26
$86.25 |
57,353
|
67,764 |
93 |
84.63% |
|
TWELVE ANGRY MEN |
$9,325,569
|
$282,593 |
$56.20
$86.25 |
164,852
|
192,400 |
260 |
85.63% |
|
THE CONSTANT WIFE |
$3,365,506
|
$258,885 |
$52.92
$86.25 |
63,263
|
74,000 |
100 |
85.45% |
|
A NAKED GIRL ON THE APPIAN WAY |
$3,082,541
|
$256,878 |
$53.16
$81.25 |
57,992
|
71,040 |
96 |
81.65% |
|
THE PAJAMA GAME |
$8,885,204
|
$403,873 |
$74.54
$101.25 |
120,528
|
123,070 |
170 |
97.95% |
|
HEARTBREAK HOUSE |
$3,177,764
|
$226,983 |
$46.72
$86.25 |
67,971
|
80,660 |
109 |
84.36% |
|
PRELUDE TO A KISS |
$1,786,550
|
$162,414 |
$43.38
$86.25 |
41,211
|
62,160 |
84 |
66.45% |
|
OLD ACQUAINTANCE |
$1,809,462
|
$150,788 |
$42.25
$86.25 |
42,829
|
68,080 |
92 |
62.90% |
|
PYGMALION |
$3,558,323
|
$273,717 |
$53.16
$95.00 |
66,932
|
74,000 |
100 |
90.42% |
|
THE 39 STEPS |
$3,234,567
|
$248,813 |
$51.42
$96.25 |
62,647
|
72,748 |
99 |
85.98% |
|
LES LIAISONS DANGEREUSES |
$3,161,855
|
$243,220 |
$49.36
$101.25 |
63,853
|
73,217 |
99 |
87.18% |
|
A MAN FOR ALL SEASONS |
$3,612,196
|
$258,014 |
$55.90
$111.50 |
64,431
|
75,408 |
102 |
85.36% |
|
HEDDA GABLER 2009 |
$2,742,238
|
$228,520 |
$48.90
$111.50 |
56,067
|
70,300 |
95 |
80.14% |
|
THE PHILANTHROPIST |
$2,463,705
|
$205,309 |
$49.32
$111.50 |
49,691
|
68,080 |
92 |
73.61% |
|
AFTER MISS JULIE |
$2,534,646
|
$211,220 |
$46.20
$111.50 |
54,538
|
68,820 |
93 |
79.73% |
|
PRESENT LAUGHTER |
$3,071,438
|
$255,953 |
$51.69
$116.50 |
58,727
|
68,080 |
92 |
85.85% |
|
EVERYDAY RAPTURE |
$2,358,299
|
$196,525 |
$44.79
$116.50 |
53,366
|
71,040 |
96 |
75.13% |
|
MRS. WARREN'S PROFESSION |
$2,917,482
|
$224,422 |
$51.97
$127.00 |
56,201
|
74,000 |
100 |
76.32% |
|
THE IMPORTANCE OF BEING EARNEST |
$8,012,925
|
$286,176 |
$64.52
$127.00 |
122,818
|
162,060 |
219 |
75.63% |
|
MAN AND BOY |
$3,095,607
|
$257,967 |
$56.91
$122.00 |
53,701
|
66,976 |
92 |
79.61% |
|
THE ROAD TO MECCA |
$2,082,656
|
$173,555 |
$48.47
$117.00 |
42,360
|
65,430 |
90 |
64.41% |
|
DON'T DRESS FOR DINNER |
$2,130,070
|
$177,506 |
$44.25
$127.00 |
48,420
|
67,704 |
93 |
71.63% |
|
CYRANO DE BERGERAC |
$2,369,149
|
$215,377 |
$51.34
$137.00 |
45,837
|
61,139 |
84 |
74.58% |
|
PICNIC |
$2,409,844
|
$219,077 |
$50.05
$127.00 |
47,529
|
62,900 |
85 |
75.45% |
|
THE BIG KNIFE |
$2,337,664
|
$212,515 |
$51.26
$127.00 |
45,618
|
62,900 |
85 |
72.62% |
|
THE WINSLOW BOY |
$2,392,300
|
$217,482 |
$55.38
$127.00 |
42,745
|
62,900 |
85 |
67.81% |
|
MACHINAL |
$2,123,256
|
$193,023 |
$50.84
$127.00 |
40,813
|
58,160 |
80 |
69.79% |
|
VIOLET |
$6,616,618
|
$330,831 |
$70.00
$142.00 |
94,762
|
113,742 |
155 |
83.60% |
|
THE REAL THING |
$6,214,364
|
$443,883 |
$82.79
$0.00 |
75,040
|
79,920 |
108 |
93.87% |
|
ON THE TWENTIETH CENTURY |
$11,298,280
|
$491,230 |
$90.92
$229.00 |
123,479
|
127,866 |
177 |
96.60% |
|
OLD TIMES |
$4,039,575
|
$367,234 |
$76.56
$139.00 |
52,787
|
62,900 |
85 |
83.97% |
|
NOISES OFF |
$5,339,351
|
$410,719 |
$77.44
$149.00 |
68,317
|
72,520 |
98 |
93.68% |
|
LONG DAY'S JOURNEY INTO NIGHT |
$5,153,917
|
$396,455 |
$86.64
$252.00 |
59,821
|
61,990 |
84 |
96.41% |
|
THE CHERRY ORCHARD |
$3,899,478
|
$324,956 |
$70.20
$252.00 |
55,736
|
67,210 |
92 |
83.23% |
|
THE PRICE |
$7,546,779
|
$580,521 |
$101.82
$250.00 |
73,903
|
74,000 |
100 |
99.85% |
|
MARVIN'S ROOM |
$2,366,005
|
$197,167 |
$50.26
$149.00 |
47,375
|
66,794 |
91 |
71.19% |
|
TIME AND THE CONWAYS |
$3,148,688
|
$286,244 |
$62.96
$149.00 |
49,620
|
60,922 |
83 |
81.39% |
|
JOHN LITHGOW: STORIES BY HEART |
$3,971,203
|
$361,018 |
$72.56
$250.00 |
54,139
|
60,680 |
82 |
89.25% |
|
TRAVESTIES |
$4,355,637
|
$362,970 |
$79.06
$250.00 |
54,305
|
65,418 |
90 |
83.09% |
|
BERNHARDT/HAMLET |
$3,886,235
|
$323,853 |
$70.60
$250.00 |
54,742
|
65,504 |
89 |
84.30% |
|
TRUE WEST |
$5,887,373
|
$490,614 |
$93.39
$352.00 |
63,037
|
67,340 |
91 |
93.80% |
|
ALL MY SONS |
$6,221,492
|
$478,576 |
$92.15
$350.00 |
67,557
|
73,260 |
99 |
92.19% |
|
THE ROSE TATTOO |
$5,402,221
|
$450,185 |
$88.48
$297.00 |
60,504
|
64,890 |
90 |
93.52% |
|
A SOLDIER'S PLAY |
$4,106,326
|
$373,302 |
$74.13
$297.00 |
55,174
|
58,401 |
81 |
95.02% |
|
TROUBLE IN MIND |
$1,713,773
|
$155,798 |
$45.26
$248.00 |
37,041
|
56,706 |
78 |
66.00% |
|
BIRTHDAY CANDLES |
$3,058,687
|
$278,062 |
$66.36
$197.00 |
46,870
|
59,614 |
82 |
79.85% |
|
1776 |
$4,801,041
|
$282,414 |
$69.86
$248.00 |
68,837
|
91,110 |
126 |
76.11% |
|
FAT HAM |
$3,025,914
|
$336,213 |
$71.05
$247.00 |
42,422
|
47,872 |
68 |
88.99% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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